Becx Harrison/Take Back Theatre/Manchester Migration Lab
Take Back Theatre/Manchester Migration Lab
Hope Mill Theatre
31 October 2017 to 04 November 2017
Manchester Theatre Award-winning collective Take Back Theatre, set up by actress Julie Hesmondhalgh, writer Rebekah (Becx) Harrison and visual artist Grant Archer in October 2015 as “an artistic response to the politics of austerity” have proved to be an astonishing Northern powerhouse of political theatre in their two years of life. BE//LONGING, though, is a remarkably ambitious project even by their standards. A collaboration with the University of Manchester’s recently-launched Migration Lab and the forward-thinking, MTA-winning venue Hope Mill Theatre, BE//LONGING is a thoughtful, yet deeply emotional multi-media theatre production, using installations, music, art, video and scripted theatre to create an unapologetically provocative experience that boldly addresses perceptions of migration, helping to expose some of the myths that surround this most emotive, vital and current of topics.
The flagship production in the Migration Lab’s plan to use writing, theatre and live events to inform debate in local, national and global communities to support and communicate its work, the 40 minute theatre piece penned by Harrison is a thoroughly involving dramatization of some of the findings of the Lab’s research. Directed by Matt Hassall, it tells real people’s stories of migration, in the process exploring borders of all kinds, from the physical act of crossing a border, to everyday borders and what it means to belong. By the nature of the many stories it overlaps, it’s a dizzying, revelatory, sometimes contradictory, mostly moving experience, with actors Nadia Emam and Darren Kuppan rising bravely to its challenges.
Throughout the run, Hope Mill Theatre has been transformed to resemble a warehouse on the edge of a border, and after making their journey to the theatre, audience members reach an arrivals area where their tickets are checked and processed, before they receive a map and cross the border to BE//LONGING.
Short films screened include Grant Archer’s film ‘Borders’ featuring dancer Yandass Ndlovu, and ‘Go Golden’, a collaboration between animation filmmaker Elisa Morais and Manchester-based electronic duo Gymnast. MaxÏmo Park’s ‘Risk To Exist’ video, created to raise awareness of the work of MOAS (Migrant Offshore Aid Station), the foundation dedicated to preventing loss of life to refugees and migrants in distress at sea, also plays.
Throughout the space, ten phone installations play stories of migration, taken from the Manchester Migration Lab’s research, and other volunteered accounts, recorded by actors. Meanwhile, installations in the bar include scripted recordings written by Becx and Ian Kershaw telling stories of van drivers and refugees in Calais, performance poetry on sea rescues by Louise Wallwein and an art installation by Matilda Glen who volunteered in Calais. Other installations include art from Sophie Mahon and Casey Longden, a photography exhibition from Danika Jurisic, Take Back’s Under Canvas, and a piece from Rethink Rebuild, a charity supporting the Syrian Community. Hysterical and misleading newspaper reportage is the focus of another installation, with copies of ‘Not The Fake News’, produced by Dr Cathy Wilcock and Manchester-based asylum seekers and journalists, made available.
As sprawling, overwhelming, uneven, bewildering, expansive and significant as its subject matter both demands and deserves, BE//LONGING is a remarkably valuable achievement by any reasonable standards.
Reviewer: Kevin Bourke